Beon Diamond × Joe Flizzow
The champion's vision.The visionary sets his own sequence.
02 · The glasses
No rim and nothing on the lens. Two small diamonds at the corners, and that's all you see when he's facing you.
02 · The glasses
Six diamonds along each arm, every one a different cut, every one on its own screw. You have to turn your head to see them.
Along the arm
Emerald, heart, radiant, oval, marquise, pear. All white diamonds, as it arrives.
03 · Set your own sequence
Every pair arrives set in white diamonds. The case holds a jeweller's screwdriver and spare stones in coloured sapphire, in the same cuts, for anyone who wants to play with colour. Fine jewellery is normally set once, by someone else, for good. This one comes with the tool.
04 · The Cabinet
The glasses, the screwdriver and the sapphires all live in it, and it opens every time the sequence changes. So it stays out on a shelf, not in a drawer. We designed it like furniture.
Front
A sunray in relief, with a glass octagon at the centre. The octagon is an emerald cut, drawn large.
Back
Scrollwork in two layers around a raised BD roundel. Rich from both sides.
White fine-grain leather · Cream inside · 393 × 283 × 103 mm
Front elevation
Back elevation04 · From drawing to finish
What it looks like on paper, as a render, and what finishes like these look like for real.
The drawings
Every side, to scale.


Concept renders
How it could feel.
Renders for mood and proportion. Final metal, colour and detail follow the drawings.


Real finishes
The craft, in real life.
Finished pieces made for other houses with the same techniques, so expectations are set before anything is made.




05 · The cuts
Six on each arm, and the round at the front. White diamonds on the frame. Coloured sapphires in the case, in the same cuts.
06 · The rollout
Three pieces of content. Not in running order yet.
Video
The delivery.
A personal delivery to Joe, filmed. Cut with b-roll of him wearing them, beauty and posing shots, and b-roll of the glasses.
Video
The object.
B-roll beauty shots of the glasses and the Cabinet. Close, slow, all about the light.
Stills
The portraits.
A studio shoot of Joe with the glasses.
07 · From you
The name.
The Johan Glasses. It's your name, so it's your call.
The line.
The line that sits under the name. Which one sounds like you?
One day.
A single shoot day for the film and stills, on a date that works for you.
08 · Your turn
Tap one stone, then another
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Confidential